Back from their best friend Adel’s wedding, Sayyid, Samir, and Fehdi sit down to reflect–unpacking the subtle shift in their friendship that echoes the quiet mourning of a shared childhood left behind. These three brothers at heart face the prospect of navigating the world on their own, bonded still by a single cup of tea.

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Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

Meyerbeer is telling at once a small, intimate story – Fidès’s, Jean, and Berthe’s relationship – and an epic drama about tyranny, revolution, and religion; politics, mob violence, and fanaticism.

Pascal lives on the land in Provence that his father left him. He is supported by the Alibert family, his tenant farmers, to counter the maneuvers of his cousin Clodius who wants to compromise the irrigation of the vines or contaminate the beehives. It is in this atmosphere of suspicion that Geneviève returns to the country, charged with a mysterious past.

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Through the life and career of Marcel Carné, using film excerpts and archives (including touching interviews with the director), François Aymé weaves a fascinating portrait of a hypersensitive man who had to deal with his homosexuality and who, despite his brilliance, was long relegated to the shadow of his actors and Prévert, who were credited with their greatest success.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.